Toshiko Takaezu - "1 'Porcelain Form'" Red, blue, purple shape made of porcelain
 
 
 

Toshiko Takaezu • American (1922-2011)

1 ‘Porcelain Form’ • Porcelain 6” x 5” x 5”

When Toshiko Takaezu turned 80 her former and current students at Princeton University filled a treasure chest with notes of thanks for the lessons in life and art she’d shared with them. It was a fitting tribute for a woman who’d become known for placing messages inside her signature closed forms.

Toshiko Takaezu was the child of Japanese immigrants to Hawaii, and grew to be such a renowned ceramic artist, she was declared a Treasure of Hawaii. In 1940 she was a senior in high school and armed forces were piling into Hawaii to fight Japan. Lieutenant Carl Massa from the Special Services branch of the U.S. Army gave her sculpture lessons and inspired her to read, attend cultural events and consider a more creative direction to her life. After discovering ceramics while at the University of Hawaii, Takaezu moved beyond functional pottery and began exploring ceramics as sculpture. 

At the time, Cranbrook Academy of Art in Bloomfield Hills, Michigan was a hotbed of ceramic arts under the direction of famed ceramicist Maija Grotell. Although she had never seen snow, Takaezu decided to head east and continue her studies at Cranbrook. There Grotell became one of her most important mentors, instilling in her the importance of using art as a tool of self-discovery and self-expression. As Takaezu later said: “Maija Grotell taught me how important it was to know yourself.”

Influenced by Grotell’s teaching, Takaezu explored her own Japanese heritage and the country’s rich ceramic culture during her travels in 1955. She studied the tea ceremony, lived in a Zen Buddhist temple and visited Japanese ceramists, including Shoji Hamada, Rosanjin Kitaoji and Toyo Kaneshige. “In the end, people say my work looks Oriental. I can’t help it. As a child, I was drawn to the East and the West. I take the best of both, but I have to be myself.”

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At Cranbrook, Takaezu began experimenting with abstract forms, different spouts on her pots and different shapes in her work. Soon she discovered the unique beauty of closed forms and found it the perfect canvas for her increasingly eastern-influenced art. 

As her fame spread she became a beloved teacher, first at the Cleveland Institute of Art, then Princeton University where she was credited with some remarkable transformations by Carol Rigolot, executive director of the Council of the Humanities at Princeton: “She transformed the lives of individual students, she transformed the Program in Visual Arts and she transformed the campus.”

When Princeton sought to commemorate the victims of the Sept. 11 terrorist attacks, they chose Takaezu’s bronze Remembrance Bell for the memorial garden near the front of the university’s campus. A fitting tribute from the most American of artists who was born in Hawaii before it was even a state.

Toshiko Takaezu lived a life dedicated to her art, returning regularly to her Hawaiian home to renew her spirit and enjoy the colors of the setting sun and verdant mountains that informed so much of her work. “To me an artist is someone quite special. You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.”

In 2011 Toshiko Takaezu returned to her beloved Hawaii one last time. There she died. The hole at the top was filled and there remained wondrous mysteries inside.

Canton Museum of Art Permanent Collection • Gift of Mr. and Mrs. Harry Mestel, 87.8

 
 

4 Ways to Sound Smart When Viewing at The Canton Museum of Art


1.
“There is an oriental combination of simplicity and complexity to the design.”

2.
“The island of Hawaii is the perfect birthplace for an artist who so expertly combines eastern and western sensibilities.”

3.
“Toshiko Takaezu once said, ‘When an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.’”

4.
“Although her work has an oriental flair, Takaezu’s biggest influence was Finnish ceramist Maija Grotell.”


 
 

Takaezu Timeline. Scroll over images to see timeline.